Start at V1. Not zero.
V1 turns event footage into a reviewable first cut in hours, so your producer begins with something to respond to instead of an empty timeline.
TC 00:00:31:20 · 014 · IMG_2231.MOV- Footage received142 files
- Structured3 cameras
- First cut readyV1
- Review window openNow
Your producer should start with a version. Not a folder.
V1 handles the repetitive work between footage capture and creative review: processing, organizing, selecting, structuring and assembling a first pass. The team keeps control of the decisions that make the work good.
- IMG_2230.MOV00:41
- DJI_0142.MP402:10
- C0017.MP400:58
- IMG_2231.MOV00:31
- C0018.MP401:44
- IMG_2233.MOV00:27
Footage in. Version out.
Footage
Upload mixed footage from the event team, creators and cameras.
V1 ready
Footage becomes a structured, reviewable first cut in hours.
Review
Respond to a version from a phone instead of building from zero.
Approve
Your producer owns story, pacing, judgment and final approval.
Deliver
Receive approved content rebuilt for every required format.
Real events. Real conditions.
V1 is built for real event conditions: multiple shooters, mixed cameras, inconsistent clips, rapid publishing windows and teams that need something useful now.
Retail activations
College sports
Community & culture
Conferences & launches
V1 prepares the edit. Your producer directs what comes next.
The review is built for a phone. Every shot in the cut, three frames from the part that is actually in the edit, and two buttons. Keep what works, drop what doesn't, drag anything into a better order, type a note where words are faster. Send it back and the revised cut is built from exactly what you kept.
Too dark. Use the wide from 016 instead, and hold it a beat longer.
Story, pacing, judgment and final approval stay with the producer. V1 never decides what your story is.
Two windows. One first cut.
Both deliver the same thing: a structured, reviewable first cut, then approved content rebuilt for every required format. Turnaround targets are confirmed for each account.
Approved once. Rebuilt for every frame.
One sequence, cut once, delivered in every frame the story needs. The socials are cropped from the same cut you approved, so nothing gets re-edited on the way out. A Premiere-ready timeline comes with it if your editor wants to keep going.
Bring the footage. Start with a version.
V1 works with agencies, brands and event teams on real events. Tell us about your next event and we'll set up a project for it.